January 28th at Khe Sanh seems to have no place in my memory. Several Marines were killed that day by incoming but I don’t remember anything about it. That’s one of the things that bugs me about enduring the siege. I have great gaps in what I remember.
The American educator and philosopher, John Dewey, said: “Time and memory are true artists; they remould reality nearer to the heart’s desire.”
If I think about that quote it leads me to conclude that today, based on my recollections as I write this, my heart’s desire must be that the bulk of my memories of living the Siege be hidden. Am I off base to make that claim? And yet so often I still find myself struggling with trying to remember what happened there.
Memory of the siege comes in spurts. Thinking of day one, I remember that horror. I also remember the listening posts, work parties, standing watch, eating chow, but not when they happened. I recall some conversations, some battles, and other isolated moments during my time there.
I remember watching the ARVN’s 37th Ranger Battalion move in front of us sometime around January 28. I remember how I felt having them out there. I remember thinking that if they got overrun and retreated to our lines, we would probably have shot them all. They were Vietnamese. Good guys or bad, we thought they all looked alike. I’m glad I don’t have to deal with those memories. Being overrun. Killing my allies because they looked like my enemy.
I remember the fall of Lang Vei, and the many days where we received in excess of a thousand rounds of incoming. I remember lying in the trench as the shells battered battered battered the red ground. The kaplunk they made when leaving their tubes. It was creepy suddenly realizing that the round was on its way by the time you heard that kaplunk. And there was the whistle or the scream or the roar they made coming at you. Messengers singing a deadly song aimed at me.
I remember feeling like I was in a little cocoon and all the world around was shaking and rattling and attacking that cocoon. The cocoon wasn’t safe, but it was all I had. What became critical was my ability to stay within my own mind—the last bastion of protection, the kernel, the essence of who I was. That cocoon.
One day, early on, I was lucky enough to survive a near hit. The thing that was branded into my memory right then was the sound I heard when that round left its tube, how it sounded on its way to greet me.
I learned to listen for the sounds of those rounds. 120 MM and 130 MM and 152 MM pieces banging away at me sent me not-so-subtle messages that they were on the way. Funny, thinking about that now: that as they intended to kill me, they also warned me. It was like a game, with weird rules. We’re going to kill you, but with that in mind we’re going to help you out. We’re going to send you a message.
I must have gotten pretty good at hearing those warnings because I’m still alive. That ability to sense where incoming rounds would hit and a healthy dose of luck saved me.
Right this moment I wish that something would have saved my memory. Was my experience there so fraught with fright, so laden with the horrors that man can deliver to man that I have to forget it?
It’s funny, yet much of what I do recall is some of the more mundane events at Khe Sanh, especially before the siege ever began, before it was even a possibility.
If I don’t recall anything about January 28 nor 29, 1968 when a team of Army personnel and some of their Bru cohorts (Bru were local montagnards who often fought with US forces) went out towards Hill 471 and got into a nasty dustup with the NVA, I do remember Hill 471 from an earlier encounter.
In late May of 1967 we went out on a company-sized operation towards the high ground around Hill 471 when the Khe Sanh TAOR still had vegetation that wasn’t blasted to smithereens. Hill 471 was covered with trees. We approached the summit and 3rd Platoon ran into some NVA and shot and killed one. Then we called in air strikes. I recall sitting on the edge of a bomb crater watching A-4 Skyhawks, F-4 Phantoms and F-8 Crusaders swoop down and drop bombs, strafe with cannons and machine guns, and shoot rockets. It was up close and made my heart hammer and the big basso whine of shrapnel winging through the sky sounded like the song of hell. Big chunks of bomb landed all around us and hissed when it hit in damp spots in the bottoms of craters.
That operation is where I met my first leech. Didn’t notice it until it was the size of my thumb. Maybe that’s because they were the size of pencil lead when they latched on and hard to see. I didn’t know what to think and all the old Vietnam salts laughed at me.
That’s where I saw my first bamboo viper, too. Corporal Fritsche and I chased it through—you guessed it—the bamboo, but it eased away like life leaving a wounded man. Besides Fritsche, I remember a lot more names from that time than during the siege: Ward, Blankenship, James, Poorman, Little John, Deedee, Pacheco, Carswell, Callahan, Fideli, Steinhardt, “Fearless” Bosowski, Enyart, Bowers and Lens.
We patrolled around Hill 471 and set up a perimeter for the evening. I recall sitting on top of a ridge most of the night on watch, unable to drift into sleep watching for the NVA to creep between the trunks of trees and slither out of the bamboo thickets to our front. But they didn’t come.
More than once I’ve wondered if I shouldn’t have a shrink hypnotize me and take me back to relive every second of my time at Khe Sanh. I wonder if the hypnotism shouldn’t be taped and transcribed. But as I think about it, I always decide not to do that. I think there may be a good reason why my memories of a lot of my time at Khe Sanh are subdued, hidden, masked.
The American writer John Irving said, “Your memory is a monster; you forget – it doesn’t. It simply files things away. It keeps things for you, or hides things from you – and summons them to your recall with a will of its own. You think you have a memory; but it has you!”
All my Vietnam events are filed away, I suppose, and available to show up if prodded by something…a dream, the way a tree looks in winter, its fallen leaves, the way its naked branches fling shadows on a bank of snow. Or the sound of a truck running down the highway, the rumble trapped against the sides of a retaining wall, the rap rap rap. Or a white bird soaring over a field of snowy corn stubble. The sound of a gun.
On the screening front, mark your calendars for a fundraising screening in Casa Grande, Arizona, on February 15, 2015, at the historic Paramount Theatre. Doors open at Noon, lunch served at 1:00 PM, screening of BRAVO! to follow at 2:00 PM. Ticket cost: $15.00 advance purchase or at the door. Proceeds will benefit the Mobile Veterans Center and Emergency Veterans Services in Pinal County.
On March 30, 2015, BRAVO! will be screened at the Egyptian Theater in Boise Idaho. Doors open at 6:00 PM. Program begins at 6:45 PM. Following the screening there will be a panel discussion moderated by Boise author extraordinaire, Alan Heathcock. The panel discussion will include veterans, some of whom are in the film. Proceeds will benefit the Idaho Veterans’ Network and Veterans’ Treatment Courts. Tickets are available online from the Egyptian Theater here.
Additional Idaho screenings to support the Veterans’ Courts and the Idaho Veterans’ Network will be held in Lewiston, Idaho, on March 18, 2015, time and location to be determined; Twin Falls, Idaho, on March 31, 2015, at the College of Southern Idaho’s Fine Arts Building, time yet to be determined; Caldwell, Idaho, on April 1, 2015, at College of Idaho’s Langroise Recital Hall, time to be determined; and in Pocatello, Idaho, at a time yet to be determined.
If you or your organization would like to host a screening of BRAVO! in your town next spring or summer, please contact us immediately.
DVDs of BRAVO! are available. Please consider gifting copies to a veteran, a history buff, a library, a friend or family member. For more information, go to http://bravotheproject.com/buy-the-dvd/.
BRAVO! has a page on Facebook. Please “like” us and “share” the page at https://www.facebook.com/Bravotheproject/. It’s another way to stay up on our news and help raise more public awareness of this film.