Bravo! The Project - A Documentary Film

Documentary Film,Khe Sanh,Marines,Other Musings,Veterans,Vietnam War

July 30, 2018

Wayne Moore

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Sometimes the work we do with the story of Bravo Company, 1/26, resonates in unexpected places.

Recently, I received the text below from someone who lost a friend, a Marine named Wayne Moore, who served with Bravo at Khe Sanh. Wayne was killed in action—for which he was posthumously awarded a Silver Star for valor—on what has become known as the Payback Patrol of March 30, 1968.

Wayne Moore’s photo on the Vietnam Veterans Wall of Faces

Betty and I thought it worth sharing the message we received.

Hi,

I recently watched your documentary on the Battle of Khe Sanh and was amazed at what I had learned.

I knew one of the Marines mentioned several times that was KIA on 3/30/1968; his name was Wayne Moore. After 50 years I finally found out what had happened to the man that meant so much to myself and my family.

My Mom and Dad worked with Wayne in a furniture shop and were very impressed by him. So impressed we asked him to dinner a few times and then asked him to live with us in our home in Plymouth MA.

He dated my sister Linda and they were later married.

He was an extremely talented musician (played a Burns of London guitar) and played in a band as lead guitarist and vocalist. He was amazing.

Wayne Moore, center, playing his guitar,before joining the Marine Corps. His brother-in-law, John Hammer, is the drummer on the left. Photo courtesy of John Hammer.

I was a few years younger than him and he was like a big brother. He changed my life in ways that are still with me today, over 60 years later.

When he was KIA, my sister was devastated along with myself and parents. He was a figure larger than life and his death shocked us to our core.

I am the only remaining person of the people I mentioned and am now the only one that knows what happened on the day of his death in 1968.

I will be forever grateful to you and the fellow Marines that helped to make this project, especially Steve Wiese who seemed to know him the best.

If you could forward this to Steve so he can add these things to Wayne’s memory, I would truly appreciate it.

Steve Wiese. Photo courtesy of Betty Rodgers.

Again, thank you for your efforts to bring the enormity of the Battle of Khe Sanh to life. Hearing his name and how he was killed was something that means a great deal to me.

John Hammer

Sometimes I wish that we could move beyond the seemingly eternal nature of the story of Bravo Company at Khe Sanh, and put those long ago events behind me, but getting messages like Mr. Hammer’s makes the ongoing efforts worthwhile.

Here is a link to Wayne Moore’s page on the Wall of Faces: http://www.vvmf.org/Wall-of-Faces/34976/WAYNE-P-MOORE.

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On a separate subject, we wish to announce that Bravo Company’s Skipper, the late Lieutenant Colonel Ken Pipes, will be interred at Fort Rosecrans National Cemetery in San Diego, California, on August 24, 2018 at 10:00 AM.

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BRAVO! is now available in digital form on Amazon Prime.

This link will take you directly to BRAVO!’s Amazon Prime site where you can take a look at the options for streaming: In the US you can stream at https://amzn.to/2Hzf6In.

In the United Kingdom, you can stream at https://www.amazon.co.uk/dp/B07BZKJXBM.

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If you or your organization would like to host a screening of BRAVO! in your town, please contact us immediately.

***

DVDs of BRAVO! are available. Please consider gifting copies to a veteran, a teacher, a history buff, a library, a friend or family member. For more information, go to https://bravotheproject.com/store/.

BRAVO! has a page on Facebook. Please “like” us and “share” the page at https://www.facebook.com/Bravotheproject?ref=hl.

Documentary Film,Khe Sanh,Marines,Other Musings,Veterans,Vietnam War

July 11, 2018

Abandoned

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At my folks’ kitchen counter, it was harsh black coffee à la my father’s tastes, accompanied by unfiltered Camels. I’d consumed two pots of the old man’s bitter javvy because I’d been up all night partying around the hometown with a lot of my old friends from high school. One of them was working that summer as a lifeguard and I went with him to a swimming party at the town pool. Except I wasn’t swimming.

I had donned my new civvies and was out looking for a good time. I’d just gotten home on my second leave of the summer, upon transfer from 5th Battalion Recon at Camp Pendleton to the Marine Barracks at 36th Street Naval Station in San Diego.

I had no intention of swimming but as the party rocked on, several of my old school mates, one who was in his next to last year at the Air Force Academy and the other a Marine getting ready to do his second tour in Nam, decided I should get in the pool whether I wanted to or not.

What’s left at the end. Photo courtesy of Mac McNeely.

Somehow, I managed to defend myself by turning the tables on them and throwing them in the pool. The confrontation rankled and in an attempt to calm my rage I managed to consume excess quantities of Coors. Thus my need for lots of coffee. And as for the unfiltered Camels, I loved, after filling my lungs with the smoke, the way that itchy little sensation snaked its way down my throat, ballooning into a marvel, like a narcotic, as it infested my blood, my muscles.

But what really brought me up short, sitting there at the counter, listening to my mother talk on the phone to some cousin who I was never sure how she was related, and my two nephews playing in the living room, shouting and shrieking, making my hangover more deadly, was the article I found in the Arizona Republic about the US abandoning the base at Khe Sanh.

I read it and drank a cup of coffee. Then I inhaled another Camel, which when I’d smoked it down as far as possible, I stubbed out in the heavy ashtray that looked like it was made from expensive cut glass. I read the article again, and again, and again as I drank more javvy and smoked and smoked and smoked.

I think I needed to keep reading it because it didn’t sink in. The information just couldn’t get past my eyes into my brain. Finally, it hit me like a doubled-up fist in the solar plexus. Betrayal, like your best friend sneaking off into the night with your girl friend, or worse, like being deserted out in the bush, left to die at the hands of the enemy.

As the notion that Khe Sanh was no longer a functioning base sunk in, faces popped into my mind, and names: Frenchy and Furlong, Aldrich and Kent, McRae and Norman. What the hell had they—and all those other Marines, and sailors and soldiers and airmen—died for?

In the years since we started making BRAVO!, I’ve met historians—military historians—who have explained to me that given the nature of the war, and the fact that the United States and its allies didn’t have a sufficient number of warriors to defend every place that needed to be defended, what happened at Khe Sanh—the leaving it, the abandonment—was necessary.

But I live my life on a personal level. What happened there in 1967-1968 happened to me. It happened to Frenchy and it happened to Kent. For me it wasn’t—and it damned sure isn’t now—generals and colonels sitting somewhere down in Saigon looking at big maps of South Vietnam with symbols depicting the various locations of our forces and the enemy’s.

It happened to me. I was sent to defend a place—Khe Sanh—that seemed so vital to our aims that we expended record breaking amounts of munitions to repeatedly beat back the NVA. The killing, the maiming, the destruction of the surrounding environment. What we left behind. Unexploded ordnance. Agent Orange. And the faces of the lost, their names.

In 1969, a year after sitting at my parents’ kitchen counter reading about the abandonment of Khe Sanh, I met a young Marine who came to the Marine Barracks at 36th Street Naval Station. His primary MOS was combat engineer. When he found out I had been at Khe Sanh, he told me he’d been part of the team that destroyed the base just before we finally turned tail and left the place. He told me how they’d blown up a lot of the familiar landmarks, headquarters bunkers, revetments for choppers, how they had blown up equipment that got left behind. As he told me about it, I could see he was proud of the job that his fellow engineers and he had done to destroy Khe Sanh Combat Base.

As he told me all about his joy about doing a great job of blowing stuff up, I sat on my bunk in the barracks. I pondered my pride, too, in my service during the Siege, and the thoughts of the destruction of the combat base, the abandonment left me again coming to the realization that all my comrades had died for….for….for what?

Author Ken Rodgers at Khe Sanh. Photo courtesy of Michael O’Hara.

But nothing subsequent matched how I felt that morning with my harsh black coffee and my Camel after Camel after Camel. My hangover, my sullen memory of the night before having to battle friends to avoid going swimming in my brand new civvies, and the way those letters in that article in the paper about giving up on Khe Sanh seemed to leap off the newsprint and slap me in the face like a foreign language that I needed to learn before I could really understand the abandonment.

***

NEWS!

BRAVO! is now available in digital form on Amazon Prime.

This link will take you directly to BRAVO!’s Amazon Prime site where you can take a look at the options for streaming: https://amzn.to/2Hzf6In.

***

If you or your organization would like to host a screening of BRAVO! in your town, please contact us immediately.

***

DVDs of BRAVO! are available. Please consider gifting copies to a veteran, a teacher, a history buff, a library, a friend or family member. For more information, go to https://bravotheproject.com/store/.

BRAVO! has a page on Facebook. Please “like” us and “share” the page at https://www.facebook.com/Bravotheproject?ref=hl.

Documentary Film,Eulogies,Khe Sanh,Marines,Veterans,Vietnam War

June 9, 2018

Betty Rodgers Remembers David Douglas Duncan

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When we learned about the passing of renowned war photojournalist David Douglas Duncan on June 7, 2018, I was flooded with a great sense of loss as I remembered our unique connection with him.

Back in 2011 when we were gathering materials for BRAVO!, our editor, John Nutt, suggested including some of Duncan’s powerful photos of the Siege of Khe Sanh in our film. We learned they were archived at the University of Texas (UT) in the illustrious Harry Ransom Center. We also learned that we would need to purchase rights from the university for use of the famous photos, would need to receive Mr. Duncan’s personal permission, and would have to pay him additional fees.

Debris at Khe Sanh. Photo courtesy of David Douglas Duncan.

The procedure began by faxing a letter of request to Mr. Duncan via UT. He was living in France and was 94 years old, so we figured it would take a while. We waited. Then one day the phone rang. It was none other than Mr. Duncan himself, calling from France! I was heartbroken that Ken was not home at the time to take the call, but here was a thrilling moment for me in the making of our film.

I remember two things from our conversation. The first question he asked was where Ken and Bravo Company were situated at the Khe Sanh Combat Base. When I told him next to the ammo dump, there was a notable silence, and then he said, “My God.” After another few moments, he said he would be honored to have us use his images, and that he would not require any additional fees.

Then we proceeded to have a wonderful conversation about the art of photography, something we had in common. I expressed my need to learn more about my camera, or that I needed a better camera, and he said that wasn‘t important at all…you can make great photography with any camera! And he said he had a new book coming out comprised entirely of photos from a Nikon COOLPIX point-and-shoot camera.

The airstrip at Khe Sanh.
Photo courtesy of David Douglas Duncan

Then he bid me adieu and the conversation was over. And so today we bid David Douglas Duncan adieu, with deep gratitude for his generosity founded on compassion, for his courage to tell the story of war through photography, and for the example of living his long life to the fullest.

To learn more about Mr. Duncan, here is a link to an earlier article in the New York Times.

Documentary Film,Guest Blogs,Okinawa,Other Musings

May 28, 2018

The Bloody Chaos of Okinawa

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Today we want to share a guest post for Memorial Day from BRAVO! friend and supporter, Cobb Hammond. Cobb writes about military history for his home town newspaper, the MEMPHIS COMMERCIAL APPEAL.

As we commemorate Memorial Day, 2018, many may recall a battle a family member may have been wounded or killed in, or themselves a vet, may have lost a comrade in arms. It should be refreshed in our consciousness that our WW II veterans are dwindling in number, and on this weekend of remembrance it should be incumbent upon us to recognize a battle raging 73 years ago this month; The Campaign at Okinawa.

This last battle of the War was not only the bloodiest of the Pacific theater but exhibited some of the most brutal and horrific fighting and battle conditions of the war; in that this was the first allied incursion on what was considered Japanese soil. This invasion was the first step in what was the initial phase before the eventual invasion of the Japanese home islands. The island of Okinawa was only 350 miles south of mainland Japan and was 463 miles square. It was populated by nearly half a million civilians and some 155 thousand Japanese troops of the infantry, air corps, and the navy, of which 80 thousand were front-line infantry troops. The strategic planning of the Japanese leadership before battle was to concentrate troops in several sectors that offered the most efficient use of troops—as well as the idea of inflicting the highest possible damage on US troops as they advanced.

Northern Okinawa was defended by one-division, whereas the more challenging terrain of the south was defended by 3 additional divisions- as well as multiple specialized brigades. This area was turned into four heavily fortified, ‘hedgehog’ defense sectors, taking tactical advantage of the topography, and the dense emplacement of artillery and mortars made it the highest concentration of fire the enemy used in the Pacific War.

Marines in Okinawa, 1945. Photo from Department of Defense Archives.

The ideal defense employed by the Japanese commanders, were to allow all US ground troops to move well-inland, and then to defend every crag-laden hill, ridge line and ravine as our forces moved forward. This was a totally different strategy of previous island battles such as Iwo Jima and Tarawa, where the beaches themselves were heavily contested. Seemingly every ridge and hill contained natural caves and promontories; which typically had artillery encased inside steel doors and machine gun emplacements pointing down the fingers and draws of the hills.

As the battle commenced on Easter Sunday, April 1, 1945, the two Marine divisions, plus a regiment landed on the central and eastern part of the island and attacked on a northerly axis, whereas the initial two army divisions wheeled south across the narrow waist of Okinawa. The Army’s 96 Inf. Division began to encounter fierce resistance from enemy troops on those rocky ridges very soon, as it slowly moved south. The Army’s 27th division landed on 9 April and took over the right, or western-side of the push south. There were now three army divisions attacking here.

Enhancing the difficulty of the battle were the spring monsoon rains, which started in mid-April and didn’t let up until early June. The American foot soldier and marine became mired in mud and flooded roads, exacerbating the ability to supply men, evacuate wounded and navigating the steepening terrain.

As Marine Corps regiments moved forward abreast, going to the aid of the army divisions pulled off the line for a brief respite, they—as their army brethren, encountered fanatical resistance from the Japanese defenders. Later, in the largest ‘banzai’ attack of the war, some 2,500 Japanese were killed, with some of the fighting devolving into hand to hand combat. As of now, five US Divisions were fighting south by southwest—going against these formidable defenses, footnoting places embedded in the memories of the brave souls doing the fighting, and now infamous in military lore. Names such as Sugar Loaf Hill, where 1,600 marines were killed and 7,400 wounded; Hacksaw Ridge- recently immortalized on screen, telling the story of Medal of Honor recipient Desmond Doss—and the formidable Shuri Line, where the Japanese planned their last defense in a series of ridgelines and strong points, taking the better part of a month to extinguish the enemy resistance. Fighting was so prolonged and intense in this area, that casualty counts are unable to be accurate, however it safe to say, tens of thousands of Japanese and easily over ten-thousand US troops became casualties of some sort.

Guest blogger Cobb Hammond.

Not to be forgotten, was the intense combat at sea just miles offshore, as Japanese ships and kamikaze planes attacked US naval forces mercifully for weeks, with some 36 US ships sunk with another 380 damaged, as thousands of enemy pilots went down in fiery deaths. The morbid toll of he battle, which ended unceremoniously on June 22, 1945 was five-thousand naval personnel, 4,600 army and 3,200 US Marines, with total wounded exceeding forty-thousand. It should be noted that the Battle for Okinawa had more cases of combat fatigue and mental breakdown than any other battle of the entire Pacific War, as thousands were taken off the line- simply unable to continue. Japanese losses run as high as 140 thousand killed and additional one-hundred thousand civilians unfortunately perished in the crossfire of this hell. Denoting the widespread ferocity and valor exhibited in this campaign, 24 Medals of Honor were awarded; 14 posthumously, including one Tennessean. It should also be highlighted that the recent death of a friend of this writer, Memphis native William Phillips of the 7th Regiment, 1st Marine Division was a participant in this campaign.

As we contemplate this solemn weekend, shall we remember the sacrifice of so many on the bloodied rocky dirt of Okinawa.

Cobb Hammond is a financial advisor with Hammond Financial Advisory/Money Concepts, Inc. He writes on military history and composes short stories as a hobby. You can reach Cobb at chammond40@yahoo.com.

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NEWS!

BRAVO! is now available in digital form on Amazon Prime.

This link will take you directly to BRAVO!’s Amazon Prime site where you can take a look at the options for streaming: https://amzn.to/2Hzf6In.

***

If you or your organization would like to host a screening of BRAVO! in your town, please contact us immediately.

***

DVDs of BRAVO! are available. Please consider gifting copies to a veteran, a teacher, a history buff, a library, a friend or family member. For more information, go to https://bravotheproject.com/store/.

BRAVO! has a page on Facebook. Please “like” us and “share” the page at https://www.facebook.com/Bravotheproject?ref=hl.

Amazon Prime,Documentary Film,Film Screenings,Khe Sanh,Marines,Veterans,Vietnam War

May 5, 2018

Cinco de Mayo–50 Years Gone

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On Cinco de Mayo my leave was about done, but before heading back to Camp Pendleton I traveled down to Nogales, Mexico, with friends, and we attended a bullfight. There was a lot of hoopla at the arena: folks all dressed up, the men in suits and the women in fancy dresses. I recall the men wearing fedoras that matched the hues of their outfits, white and tan and other tints of light brown. The ladies looked to me like they should be going to Mass instead of to a bullfight.

The fancy red and black advertising bills that hung all over the walls of the city announced three matadors who would kill three bulls as part of a wider celebration to observe the holiday which commemorates the Mexican Army’s defeat of a French army at the Mexican city of Puebla in 1862.

The white walls of the arena reflected the bright light. It’s warm that time of year on the Arizona-Mexican border and besides the weather, the beer, Modelo, was warm and something that I’d prefer not to consume but I did. Every time I took a swallow it caught in the back of my throat and I wasn’t sure if it would go down and stay down or rocket out through my nose and my mouth all over my lap and the people sitting in front of me.

The Kill

The bullfights seemed steeped in a tradition I didn’t really understand; the honoring of the bulls as if they were heroes, the formal entrance into the ring by the participants that reminded me of Marine Corps ceremonies I’d been a part of. The matadors and picadors reminded me of ancient warriors, and the horses protected by what looked like quilted armor hinted at a more martial tone to the event. Bugles blew at what seemed like critical moments in the performance and I thought of bugle calls we answered to in the Corps: Taps, Reveille, Assembly.

And then the torment and killing of the bulls began. The toreros—bull fighters—stabbed the bulls with sharp, short spears called banderillas and men on horses stabbed the bulls with long spears and the matador used a cape to tire out the animal and to create a kind of performance art before killing the bull with one clean thrust of a sword that punctured his tortured and weakened heart through a soft spot behind its lowered head.

What bothered me was how the crowd loved the action and cheered at the torture the bulls were put through, the stabbing and the capes the matadors used to entice and lead the bulls around the bullring.

The first two matadors failed to kill the bulls cleanly and the crowds did not like that, hissing and acting like the bull had more of their respect than the men who were supposed to kill the animals.

The third matador, who was the star of the whole day’s shebang, did manage to kill the bull with some panache and I had to admire his apparent physical skills, even though the repeated stabbing of the bull on the neck and shoulders beforehand tipped the odds in the matador’s favor.

Watching the bulls stagger around made me dizzy and the beer turned pretty damned bitter and the crowd’s thirst for the savagery of it all surprised me. It seemed a metaphor for what I’d seen at Khe Sanh. Brutal battles, bayonets grinding into bone, death-maimed men, and all of us, on both sides—NVA and Yanks—debauched with savagery.

The bloody images of Khe Sanh, that bull fight, the cheering Mexican crowd rejoicing in the chaos, visions of dead men lying in the dust, the incompetent matadors down in the ring, the bulls staggering around the sandy arena with hearts as big as the State of Sonora were all mixed up in my mind. Ole! Dios mio!

I couldn’t get out of that place fast enough, almost knocking several men down as they stood on the steps in the aisle as I charged out of the bullring. I knew enough border lingo to understand the names they called me but instead of punching someone in the nose, I had to escape the scenes of the bulls being dragged from the sandy arena floor, the bouquets of red flowers and fedoras tossed into the ring. The scarlet of the flowers highlighting the burgundy tint of the blood on the ground.

Author Ken Rodgers at Khe Sanh. Photo courtesy of Michael O’Hara.

Outside, I squatted in the shade up against the walls of the arena and waited for my friends to come out. They thought it was glorious and a righteous example of culture and history and the influence of Spain’s glory days upon the world.

That memory is clear in my mind and I have gone back to it many times, me sitting on my haunches looking up at them as they talked excitedly about the action in the ring, their smiles, me seeing the blood red mud of Khe Sanh, dead men dragged down the dusty road.

Dios Mio! The savagery.

***

NEWS!

BRAVO! is now available in digital form on Amazon Prime.

This link will take you directly to BRAVO!’s Amazon Prime site where you can take a look at the options for streaming: https://amzn.to/2Hzf6In.

***

ON THE SCREENING FRONT:

At 3:00 PM on May 27, 2018, BRAVO! will be shown in Paris, TN at the Krider Performing Arts Center. You can find out more about this event and the Krider Performance Art Center here.

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If you or your organization would like to host a screening of BRAVO! in your town, please contact us immediately.

***

DVDs of BRAVO! are available. Please consider gifting copies to a veteran, a teacher, a history buff, a library, a friend or family member. For more information, go to https://bravotheproject.com/store/.

BRAVO! has a page on Facebook. Please “like” us and “share” the page at https://www.facebook.com/Bravotheproject?ref=hl.

Documentary Film,Marines,Veterans,Vietnam War

May 3, 2018

We Need Your Help

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Friends of BRAVO!, we’ve now received 72 fabulous reviews on Amazon Prime, but we need to reach 100 before Amazon will promote Bravo Company’s story to a whole new audience. Can you help us hit the mark?

If so, click the link here: https://amzn.to/2Hzf6In and stream the film (you can let it run in the background on your computer or TV, but you must stream the entire film), THEN go to Amazon on your computer or smartphone and write a brief review and rating. There are several options for viewing, including FREE to Amazon Prime members.

THANK YOU, THANK YOU for helping. We really appreciate your support!

Documentary Film,Eulogies,Khe Sanh,Marines,Veterans,Vietnam War

April 30, 2018

Requiem for the Skipper

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On Thursday, April 26, 2018, the men of BRAVO! lost their Skipper, Lt. Colonel Kenneth Pipes, USMC Retired.

I had talked to him the day before. We laughed, reminisced, talked about other vets, the kind of conversations we always had.

He didn’t say to me that he thought the end was near, nor did he complain about the many ailments that tormented him. He was stout and incisive and funny.

Kenneth Pipes

If I wasn’t so slow-witted I might have picked up some hints that he sent me, but I didn’t get them right away. They eased their way back into my recall as I sat there the rest of the day and on into Thursday. Our last conversation was a moment where the ties that bound us became much more apparent than I’d ever noticed. How deep and wide and long and thick the bonds were.

As I sat there thinking of him and how intimate our conversation had been, how what we said to each other bore into the inner shields I have managed to keep in tact for over fifty years; it sunk in that he was telling me that he was moving on.

And just as I finally got it, we got news that he had passed on and the rest of us who are left behind to grieve his leaving won’t have that rock-steady, low key, humorous leadership and advice that had become so much a part of our lives.

Ken Pipes at Khe Sanh.

The Skipper was a career Marine. As the saying goes, “A Marine’s Marine,” but he was also a fiercely loyal, compassionate, intuitive man who could dig right into what might be bothering you and help you expose it to the light of reason.

He commanded a company of Marines throughout the Siege of Khe Sanh. Under his command the company gained fame—if somewhat belated—but the casualties that ensued in that horrible and ugly 77-day battle rode him. And the load was heavy.

Besides a career in the Corps, Skipper Pipes was a longtime volunteer with the San Diego Sheriff’s Department and retired recently at the rank of Captain. As a mark of his standing with the SDSO, there were only two volunteer captains—a sign of the Skipper’s abilities as a leader of women and men—when he retired.

Skipper Pipes at the 2010 Khe Sanh Veterans Reunion in San Antonio, Texas. Photo courtesy of Betty Rodgers.

In that final phone conversation between us, he spoke about his wife, Sharon and their family. He spoke about his fifty-plus years of marriage and how much Sharon meant to him and how she had helped him carry his burden. It was all there in that last conversation, his final goodbye.

I could write for pages and pages about my relationship with this man, but this is not the time for that. It’s the time for those of us who knew him and loved him to hole up and let the pain rack us until we can move on while never forgetting how fortunate we were to have known and served with Kenneth W. Pipes.

Semper Fi, Skipper.

Amazon Prime,Documentary Film,Film Screenings,Khe Sanh,Marines,Veterans,Vietnam War

April 25, 2018

April 25–50 Years Gone

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On leave at home in Arizona, waiting to head to Camp Pendleton for my next Marine Corps billet, I spent a lot of time partying and sleeping and driving around at five AM on dusty farm roads, moving at 70 MPH or faster in my parents’ brown Buick LeSabre, a chilled can of Coors on the seat between my legs.

Feeling guilty because I’d promised the men of Bravo, 1/26, special things that I would send along when I got home: brownies, cookies, a fifth of Chivas Regal. Instead of arranging to send those goodies, I got drunk and ate home-cooked chow and aimlessly drove amongst the cotton and alfalfa fields like a sheriff’s deputy speeding to a bank robbery.

Cotton crop ready for harvest near the author’s original home in Arizona

Later in the Arizona mornings, with a newspaper on the kitchen counter and a cup of Folgers steaming in my hand, I read about the war. Most of what I read concerned news about battles in places I did not know, head counts of dead people, both the enemy and our folks. I suspect I hoped for news about the men I’d served with, but 1968 was a tumultuous year for the war and a host of stories were out there; too many, I imagine.

Even though I tried, I couldn’t shove scenes of my year at war out of mind. Wrecked helicopters and busted sandbags and triple canopy jungle that hid who knew what, the tangle of vines, and the last two-and-one-half months of my tour, the thump and thunder of incoming, incoming, incoming.

All the images and sounds of war got mixed up in keg parties in the foothills north of Tucson and me in the Buick LeSabre, sitting in the drive-through lane at six in the morning at Pinal Liquors waiting for them to open, or on a date in Tempe with one of my old girl friends, me not having anything to say about anything that was familiar to her about English 101 or Sociology or what kind of swimming suits her other friends were planning to wear when they went water skiing at Saguaro Lake the next weekend.

On Easter, my mother demanded I go with her to church where she had volunteered me to deliver a speech about the war in Vietnam. I stood up in a church for the last time—unless it was for a wedding or a funeral—and tried to get the words out that might enlighten folks about what it was like to crawl through mud and slime to save your life.

Afterwards, all the ladies in the church who were friends of my mother’s cornered me with attempts to tell me how glad they were that I made it home, but to me it was like being trapped, under attack by an enemy I could not understand. I didn’t think I could somehow explain that instead of a brotherhood based on Jesus like we’d heard about that day, I survived because of a brotherhood based on the 7.62mm bullet and the bloody bayonet and the M79 grenade launcher, and that my salvation at Khe Sanh came in part from men I didn’t even know—nor probably ever would—who sortied out of Thailand and Guam with B-52s loaded with tons of bombs and by jet pilots who dropped napalm on the NVA hidden in the valleys to our front and all the supply flights that kept us knee-deep in ammo and fed with a minimum amount of chow.

So I fled church for a Camel cigarette and another sortie down to the liquor store for a six-pack of Coors and a pint of Old Crow. Ooorah! And then I drove around the streets I used to know, and thought and remembered.

When I pondered then and think now about Khe Sanh—the Americans who died in that place, and who knows how many of the enemy—I see the red dust on everything and the red mud that got on your hands and face and stuck like cement to whatever it came in contact with: M16s, entrenching tools, jungle boots. I see trenches roaring with runoff from rain, rain, incessant rain, and I see Marines standing knee-deep in the torrent as the black night surrounds them, choking down their thoughts of home. I see men crammed into bunkers sharing lies about sex and home and cars and fighting. I see grunts storming up the sides of steep hills choked with jungle grass that sliced their skin. I see bodies on the ground, their faces the yellow tint of the dead. I see myself leaning over to find out if I know who the dead might be. I see a hell of a waste of lives spent over a piece of land that, when matters settled out, wasn’t that important.

Blogger Ken Rodgers at Khe Sanh just before the siege began in January 1968. Photo courtesy of Michael E. O’Hara.

I see young men who went to war as Marines and who for the most part proved eager to quash the evil of the world. In my mind’s eye I see many of their names etched into the black stone on The Wall and who they were and what they did in Vietnam will weigh down my thoughts as long as I am able to think.

The memories of the dead—and the living—are strong.

***

NEWS!

BRAVO! is now available in digital form on Amazon Prime. Please check it out if you are interested, and please consider sharing this news with your friends and contacts whom you think might be interested in seeing the film. And please ask them to give us a review if they would. It will help get the film out to a broader audience.

This link will take you directly to BRAVO!’s Amazon Prime site where you can take a look at the options for streaming: https://amzn.to/2Hzf6In.

***

ON THE SCREENING FRONT:

At 3:00 PM on May 27, 2018, BRAVO! will be shown in Paris, TN at the Krider Performing Arts Center. You can find out more about this event and the Krider Performance Art Center here.

***

If you or your organization would like to host a screening of BRAVO! in your town, please contact us immediately.

DVDs of BRAVO! are available. Please consider gifting copies to a veteran, a teacher, a history buff, a library, a friend or family member. For more information, go to https://bravotheproject.com/store/.

BRAVO! has a page on Facebook. Please “like” us and “share” the page at https://www.facebook.com/Bravotheproject?ref=hl.

Documentary Film,Film Screenings,Khe Sanh,Marines,Veterans,Vietnam War,Warhawk Air Museum

April 16, 2018

At the Warhawk Air Museum

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On April 7, 2018, BRAVO! was screened to an over-flow crowd at Nampa, Idaho’s Warhawk Air Museum. The day began with a bluster but turned off to be beautiful as people from all over Idaho’s Treasure Valley and beyond came out to see the film and participate in the panel discussion that followed.

Around five hundred folks showed up and were greeted by the friendly museum staff. A bonus to anyone who came to see the film was a chance to tour the Warhawk’s spacious environs and spend time learning about the warplanes on exhibit and the lives of warriors whose memorabilia has been shared with the museum.

Vietnam veterans visit with members of the Eagle chapter of the DAR. Photo courtesy of Betty Rodgers.

If you come to Idaho, this is one of the places you might want to visit. The bulk of the exhibits are intensely personal and speak to the visitors about the men and women who have put their lives on the line for something they believe in, their country.

Besides the exhibits, the Warhawk is instrumental in working with schools to ensure that the military history of America gets taught. They are also involved in Honor Flights for World War II vets to visit Washington DC. An additional asset they provide the community is interviewing veterans on video. The finished products are sent to the Library of Congress as well as the interviewees. The Warhawk schedules a wide variety of special events as well as a monthly Kilroy Coffee Klatch on the first Tuesday of every month where guest speakers present programs of interest. The Klatch is free to veterans.

At the screening, the Eagle, Idaho, chapter of the Daughters or the American Revolution provided snacks and water, and the Boise Police Department’s Honor Guard sang the National Anthem à capella.

Boise Police Department Honor Guard singing the National Anthem. Photo courtesy of Betty Rodgers.

As always, when large groups of people gather to view BRAVO!, the combined empathy in the facility was palpable. And the emotional power emanating from the crowd poured over into the discussion afterwards. On hand to talk about the Siege of Khe Sanh were BRAVO! Marine Ron Rees who came over with his family from the La Grande, Oregon area, Dennis Ross, also from eastern Oregon who flew B-52s over the battlefield of Khe Sanh, Dave Crosby, a flight engineer on C-130s that came in several times a day to keep us supplied with ammo, chow and mail, and Phil Nuchereno, who served with Golf Company, 2nd Battalion, 26th Marines at Khe Sanh during the Siege. BRAVO! co-producer and co-director Ken Rodgers was also on the panel.

The audience heard some different points of view from what normally arises in these panel discussions following screenings of BRAVO!. Besides hearing about the men trapped in the combat base, we heard from men who flew bombing missions to beat back the NVA and men who made the dangerous journeys into the base to keep the warriors of Khe Sanh stocked with the necessities of surviving a siege and men who were outside the base, on the hills, running patrols to interdict NVA forces moving to overrun the base.

One of the surprises of the day happened right after the screening and before the panel discussion when we asked everyone who had been at Khe Sanh to come forward for a group photo. Five additional men who had served with the Army and the Marines came forward and we got to meet some new friends.

A big thanks to the Warhawk Air Museum’s John and Sue Paul, Colonel Pat Kilroy, Heather Mullins and the crew of efficient, personable volunteers who made this event one of the big milestones in BRAVO!’s history of film screenings. Thanks too, to veteran Frank Turner who came up with the original idea to screen the event to commemorate the Siege of Khe Sanh after fifty years.

Mike Shipman of Blue Planet Photography shot photos for the event. Mike has been a stout supporter of BRAVO! from the beginning. So here’s a shout out to Mike and you can find out more about his work here.

Some of the Khe Sanh veterans who attended the screening at the Warhawk Air Museum. Photo courtesy of Mike Shipman/Blue Planet Photography.

Thanks also to Barbara Grant and the caring members of the DAR for their unsung work providing repast to our audience.

We would also like to thank KTVB Channel 7 for enthusiastically getting the word out, and the Idaho Division of Veterans Services for helping sponsor the event.

Screenings like this are one way we keep the discussion rolling forward about what war and its aftermath is really like and as a way to recognize our military veterans.

Ooorah!

You can find out more about the Warhawk Air Museum and all they do for veterans and the community at large here.

***
NEWS!

BRAVO! is now available in digital form on Amazon Prime. Please check it out if you are interested, and please consider sharing this news with your friends and contacts whom you think might be interested in seeing the film. And please ask them to give us a review if they would. It will help get the film out to a broader audience.

This link will take you directly to BRAVO!’s Amazon Prime site where you can take a look at the options for streaming.

***

ON THE SCREENING FRONT:

At 3:00 PM on May 27, 2018, BRAVO! will be screened in Paris, TN at the Krider Performing Arts Center. You can find out more about this event and the Krider Performance Art Center here.

***

If you or your organization would like to host a screening of BRAVO! in your town, please contact us immediately.

DVDs of BRAVO! are available. Please consider gifting copies to a veteran, a teacher, a history buff, a library, a friend or family member. For more information, go to https://bravotheproject.com/store/.

BRAVO! has a page on Facebook. Please “like” us and “share” the page at https://www.facebook.com/Bravotheproject?ref=hl.

Documentary Film,Film Screenings,Khe Sanh,Marines,Veterans,Vietnam War

April 11, 2018

Home

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Fifty Years Gone—April 11, 1968

I fidgeted inside a Continental Airlines 707 in Okinawa waiting for the B-52s lined up on the flight line to take off. I glanced at the tattered and dog-eared pages of a Max Brand book I’d been trying to read for months about a buckaroo named Destry. Then I peered around at the others on the flight, all of them Marines (other than the crew), none of whom I knew. I looked out the port hole and studied the B-52s again. Their dark fuselages ginned-up images of hell, avengers and the Four Horsemen of the Apocalypse. When the B-52s finally rolled forward, their long wings drooped and prompted metaphors of sharp-taloned hawks.

And then we were airborne, over the Pacific, headed for home, my thoughts saturated with scenes and noises and stenches of the battlefield. And even though I tried to read about Destry, nothing else managed to crowd into my mind except memories of Khe Sanh.

We flew over Iwo Jima. It looked like a distorted version of a figure eight and I wondered about all those men who had died over that little piece of volcanic rock.

Iwo Jima from the air.

At El Toro Marine Corps Air Station, we deplaned. I wanted to drop down, do a pushup and kiss the deck, but I didn’t. We put up with Marine Corps hassle as we processed to go on leave and then board a bus to LA and the airport.

After I got my airline ticket to Tucson, I called home, trying to tell someone that I needed a ride, but no one answered. I finally contacted the mother of my best friend who told me she’d make sure someone showed up to get me.

I waited in the airport lounge, smoking Camels and drinking real beer—Coors beer—wanting someone to say something about me being home, being alive, being a Vietnam vet who’d sacrificed for his county. Nobody said a damned thing except the bartender who muttered “thanks” when I left him a tip.

Not long before I climbed aboard my flight, a young Marine came in and plopped down at the bar in a seat next to me. He was going on leave before shipping out for Nam. He wanted to know what it was like. I said, “Keep your head down.”

On the flight to Tucson, I sat next to a girl who seemed about my age. She wouldn’t look at me. I could have struck up a conversation but I didn’t know what to talk about. I didn’t think she’d care about 152mm artillery rounds that shook the ground, severed arms and legs, and if they landed too close to you, forced blood out of the pores of your body.

At Tucson, my parents met me as I headed down a set of stairs to baggage claim where my best friend and his fiancé waited. I could tell by the way they all stared at me that I wasn’t quite the person they’d expected.

We went to a well-known Mexican food restaurant in Old Town. I craved green chili. After we sat, I ordered a Coke. I wanted a beer but didn’t think my mother would approve.

Our meals arrived and I talked about Khe Sanh, what I saw, how I felt. They didn’t look at me, just turned to on their ground beef tacos, their green chili and queso enchiladas.

For decades after, when thinking about that moment, the top of my father’s balding head would invade my mind. It was what they showed me as they ate: the tops of their heads.

Blogger Kn Rodgers at Khe Sanh in 1968. Photo courtesy of Michael E. O’Hara.

At the time, I thought nobody was interested in what happened and maybe, in general, that was the attitude of a lot of Americans; they didn’t want to have to consider the particulars of death and carnage. But now, I think, my family and friends just didn’t know how to respond to what I described, since the Siege inhabited a universe too far outside the ken of their experience.

So, I just shut up.

By myself in the back seat of my parents’ Buick, riding through the black Sonoran Desert night, I looked out the window and thought about Khe Sanh, the siege, the dead, my fear, the memories of which I naively imagined would just slip away.

***
NEWS!

BRAVO! is now available in digital form on Amazon Prime. Please check it out if you are interested, and please consider sharing this news with your friends and contacts whom you think might be interested in seeing the film. And please ask them to give us a review if they would. It will help get the film out to a broader audience.

***

ON THE SCREENING FRONT:

At 3:00 PM on May 27, 2018, BRAVO! will be screened in Paris, TN at the Krider Performing Arts Center. You can find out more about this event and the Krider Performance Art Center here.

***

If you or your organization would like to host a screening of BRAVO! in your town, please contact us immediately.

DVDs of BRAVO! are available. Please consider gifting copies to a veteran, a teacher, a history buff, a library, a friend or family member. For more information, go to https://bravotheproject.com/store/.

BRAVO! has a page on Facebook. Please “like” us and “share” the page at https://www.facebook.com/Bravotheproject?ref=hl.